Tozen
Lately, I have been enjoying putting the resonance at -10db. It still isn't a contest with Modern D or Pianoteq, but I still like it more than without it. I got the idea from a video that VSL Vincent did.
I 100% agree about the boominess of the bass on the 1887, but I also like the texture added by the tube mic. My current thinking is that the problem can be solved with EQ or an external reverb engine that changes color.
My problem is that I really should be doing all the mic mixing at recording time instead of worrying how it feels to play live... But playing is my favorite part. 😊





