_sem_
David B Now if they would just add a sus2 feature - or something comparable to improve string and pedal resonance - like on the Vienna Imperial, VSL would be king of the virtual piano hill.
Yes I think they could improve by adding a little bit of modelling. In particular, a new string resonance thing that would basically leave the sound intact, just make resonance work 😉 Their current resonance is toned down or off by default, because it wrecks the sound if dialled up to suitable resonance level. The same thing that I was experiencing when experimenting with simple sidechaining of Ptq resonance to other VSTs. They don't even support silent keypress for resonance.
Tweaking the input curve sure improved my VSL experience. I've noticed you've adjusted a few keys individually. I was too lazy to fiddle with this, but have noticed that several of their models would benefit from certain response equalisation, I assume this could be done automatically, perhaps in different ways (I've never experienced such a thing with a built-in piano engine). Otherwise, the playability is mostly okay with me.
It will probably be difficult to get una corda samples to pianos that lack them, but perhaps they could cheat, offer ways to mod the default samples for una corda.
I find the 1887 in the top half of the VSL pianos I've tried. Synchron B. Imperial would be my top pick (haven't tried the Studio version), followed by the F307. But I've got Modern D and and G.CFX and don't think hoarding piano VSTs makes much sense to me, especially if they're not perfect in all aspects. Will likely succumb come next discount season if they fix these things 😉





