A Negative Review of VPC1

HZPiano Thanks, HZ! It's nice to be thought of and remembered, haha.

I'm actually preparing for an upcoming symphony appearance, which includes the Gershwin rhapsody. I'm loving the practicing of it so far!!!

Jane Thank you, Jane! And yes, 4 years and that's the only problem I have with this keyboard certainly speaks volumes about how it's doing and hanging on so far.

Pete14 “Bouncing D#s” can indeed be a little bit tricky to handle, but I’ve found it easier to alternate between left & right (hand), so as to bring the “bouncing D#s” down to a more manageable level……

I've paid attention to Pete's posts over the years and the enigma of his persona always has me wondering. There is Pete the satirist who lives in the van down by the river and seems to entertain some while frustrating others even getting himself banned at times. Then there are these flashes of Pete - such as in the example above - that lead me to believe Pete really knows his stuff and could be a virtuoso player like David Lai.

I hope someday to meet Pete14 and find out if he old or young, happily married or a murderer, lover of Pianoteq or actually owns a Ballsendorfer (sic) or maybe even a Steinway. 😀

God Bless,
David

David Lai So far, in the 4 years I've been using the VPC1, this is the only negative issue I've encountered in the action which limits me from effectively playing a musical passage.

If a VPC2 is introduced at NAAM this month, what Kawai action would you like to see in it and what upgrades overall do you think it needs?

God Bless,
David

David B I would have guessed that quote originated from Pete14, the zany comedian, rather than from the earnest Pete14, although the earnest one might have steered the zany one a bit there.

David Lai I am glad my playing level does not need that 🙂

Happy owner of my VPC1 for 4.5 years so far, and it is a 2016 unit, so close to 9 years old now!

QuasiUnaFantasia I would have guessed that quote originated from Pete14, the zany comedian, rather than from the earnest Pete14, although the earnest one might have steered the zany one a bit there.

Maybe you're right, but that's more of a reflection on my ignorance regarding piano technique. I'd like to hear more from earnest Pete, but I also appreciate zany Pete because he makes forum life more colorful and interesting.

God Bless,
David

David B

😄

When reading said post by p.14, I had thoughts along those same lines 🙂.

The van by the way has been seen moving, slowly, because it's an old van, and therefore starting its journey really really early, in the direction of Anaheim, CA. Utilising several carwashes along the way, rendering most of them unusable afterwards for the next customers in line. Nasty stuff near those rivers.

Cheers!

HZ

David B

Just the GFIII action and a Roland-quality level MIDI implementation. Aesthetically, just as the VPC is now.

There have been rumors that the GFC action could be selected instead. That would be a fatal error in my perspective, which I have mentioned a couple of times hoping Kawai James would pick up and relay the signal towards the proper ears. I have no illusions about that but hey, a lad can try…

Cheers and happy anticipation,

HZ

Jose EB5AGV I am glad my playing level does not need that 🙂

😀

My thoughts exactly 🎶.

Cheers and the happiest playing,

HZ

David B I honestly don't appreciate zany Pete, because he makes me angry. To put it idiomatically, he sometimes gets my goat.

HZPiano Haha, I can see where you're coming from.

David Lai My problem is that the repeated C-sharps are already alternating between left and right hands… And the keys can only respond at a certain speed.

You're right. I have difficulty with that repetition on the VPC1 also - it's easier to play on my acoustic.

dore_m Now this is making me curious. Are there digital actions that do well with repetations like what's found in Rhapsody in Blue, for example?

I have an MP10 that feels like the VPC1 but it only has a double sensor. I'm surprised that the repetition isn't good on the VPC1 as it has a triple-sensor action. I don't like the keys on the VPC1. The short pivot makes some pieces difficult to play in a way they are not on a grand.

I have no problem with fast repeated notes on my Roland FP-90. It's not as easy as on my acoustic, but I don't have any problem practising on my digital and moving to the grand.

David Lai Now this is making me curious. Are there digital actions that do well with repetations like what's found in Rhapsody in Blue, for example?

Actually, I don't know. I don't have much experience with digital actions other than my VPC1. But I suppose those repetitions in Rhapsody are harder to play because they are on the black keys, which have a shorter pivot (?)

dore_m the black keys, which have a shorter pivot (?)

Hello,

One of the nice aspects of the VPC1's RM3II action is that the white and black key pivot points are staggered, just as in "real" piano actions.

This compensates (to a certain extent) for the shorter black key length in a likewise way as it is compensated for (to a certain extent) in regular acoustic actions.

Cheers!

HZ

That’s a pretty bad feedback for a keyboard that’s targeted at serious pianists. Kawai desperately need to update it.

Johnstaf I have an MP10 that feels like the VPC1 but it only has a double sensor. I'm surprised that the repetition isn't good on the VPC1 as it has a triple-sensor action. I don't like the keys on the VPC1. The short pivot makes some pieces difficult to play in a way they are not on a grand.

Earnest Pete, here! 🤔

The action in the MP10 was one of my favorites; to the point that I swore to never again use a “folded” action, and, whilst it’s purported to be the same action used in the VPC-1 (plus one more sensor), and the overall implication is that the RM3-II is “better,” I preferred the MP10/RM3; which has brought me to the conclusion that the end result isn’t always a direct result of the sum of its parts, but rather how these “parts” work together (and that includes the interfacing between sensors and motherboard, and, in the case of a digital with on-board sounds, the sound engine….

I no longer feel that a long wooden stick balanced on a pivot is inherently better than a well-designed “folded” action (like the NWX, for example 😊), and yes, Mac is right, “the proof is in the pudding” (in other words, these instruments have to be played; because sometimes the specs don’t tell the full story)….

CyberGene Kawai desperately need to update it.

In a thread on PW recently, I believe Kawai James made it clear that the VPC 1 would be updated eventually. Someone was suggesting that the MP lineup was done or going to be discontinued and KJ put the kibosh on that quite clearly. I asked about the VPC1 and he put it in the same category as the MP series indicating the Kawai was not done with it either.

3 things need to be updated on the VPC1.

1. New action. Get rid of the dreaded slip tape. I can't see myself buying a Kawai that has slip tape on the action. GF3 will do.

2. Get rid of the Fatar pedal because it sucks. The same one came with my Numa and I use Roland pedals. The MP optical pedal will work.

3. Midi 2.0 with the ability for single note sensitivity editing.

They'd possibly have a winner with the above specs for the next twelve years or more. The VPC1 was introduced in 2013.

God Bless,
David