Pianos (keys) are badly designed!

PASHKULI Nothing is difficult to play. Show something then I can try and replicate it

https://www.youtube.com/watch?v=qE_d3T4D3aI

Mindbullets

Not saying it can't be done or there isn't plenty of room for innovation here, but you might consider involving a fluent pianist with your prototyping.

I think I have completed that phase by 2010.

Khuja Wangtishvili Why don't you simply call Chris Maene and tell him that his piano designs are lazy and simply wrong?

Guess what! It has been done. All sketches above has been sent to him around the end of summer 2024.

Mindbullets

I specified (like an exercise):

only examples of a bar long phrase not more than 8~12 notes.

Chopin's whole pieces are not for a total beginner such as myself. Please, be more specific.

PASHKULI Guess what! It has been done. All sketches above has been sent to him around the end of summer 2024.

Did you get any answer?

BTW @PASHKULI

Do you have a car?

And do you know, that in most cars the pivot of the steering wheel is moved to the right vs the pivot of the drivers seat? Should we than stop driving the cars because of it, or do you think there is some well thought reasoning behind it?

And do you know that 99% of drivers are not aware of it, but somehow magically can drive the cars?

Khuja Wangtishvili

It all started in 2007 when I sent my work to both Yamaha and Steinway or Bosendrofer.
No prototypes back then, only drawings and a bit basic renderings.
No answer. Yamaha returned the parcel intact stating IP policy and that a japanese attorney (representing me, hired by me) can only open them but the hearing most likely was not going to be held because it first has to go throuh R&D dept. etc, etc.

In 2024 I contacted Petrof, Bechstein, Kawai, recently C. Maene.

2022~2023 Roland, Fatar, Kurzweil, chinese brands… German, here in UK spoke with Edelweiss (bouitque baby grands, they had no idea what I was talking about, but spent more than an hour there, last words form the owner was: "You seem very enthusiastic but who are you?", I found it a bit weird so I just said "Nobody." and it was not meant to be a joke at all).

No answers. Petrof's owner Susane Petrof gave me the email of their Lead designer but no response, so aftor my second email to him I lost interest, but they have the .pdf files and photos (as in the Google drive links above)

Khuja Wangtishvili
Do you have a car?
And do you know that 99% of drivers are not aware of it, but somehow magically can drive the cars?

No idea as I do not know anything about cars.

PASHKULI I specified (like an exercise):

only examples of a bar long phrase not more than 8~12 notes.

Chopin's whole pieces are not for a total beginner such as myself. Please, be more specific.

Ah, that must have been in a different post. I'm not trying to be antagonistic, but a bar is hardly long enough to put together a complete musical thought, especially in challenging passages. You argued that nothing is difficult to play, I would argue that the coda above (a small part of his Ballade in Gm) is difficult to play. 4-8 bars might even be enough to sell me, as I imagine it's particularly difficult on a keybed where it appears to be more difficult to feel the topography.

Perhaps you could persuade a fluent pianist to put together some demonstrations? You seem to be struggling to sell your idea to fluent musicians, so perhaps you need to recruit one to help you demonstrate. Whether it's true or not, this whole idea feels theoretical beyond a total beginner's skill level.

Mindbullets You argued that nothing is difficult to play

It was regarding something about F♯ chord or phrase will be difficult on my curved keys or something Del Vento wanted to show but never did.

PASHKULI No idea as I do not know anything about cars.

And it is the same with pianos. No difference.

Khuja Wangtishvili

If you could elaborate that would be great. At least will learn something about cars and their relation or association with the piano. You got my curiosity, let's see whether you will get my attention.

PASHKULI If you could elaborate that would be great. At least will learn something about cars and their relation or association with the piano. You got my curiosity, let's see whether you will get my attention.

Yes it's made for safety reasons, was most important in older days without airbags. The aim of it was to move steering wheel center out of the middle of our chest, and more specifically from our heart if there would be an accident so the direct impact wouldn't be almost directly in the place where heart is located

Khuja Wangtishvili

I really do not know. From my father I have heard that actually the driver's seat is usually the safest in case of full front collision (and the deadliest is the seat next to the driver). But I assume even with a seatbelt and no airbag the driver's face will be all smashed by the wheel (inertia of upper body – neck – head). Otherwise airbags would not be also in the steering weel. I am not a keen driver. If I drive for more than 15~20 min. I get that panic feeling that the car controls my time and attention (thoughts\survival).
Statistically, in a car (moving\driving), your safety (life) is only 25% in your hands. The other 3×25% are in the hands of the car's driver in front of you, the one behind you, and the one comming from the opposite direction. Plenty of videos on YouTube.

open questions to all participants (in case you missed them above):

1. Who said that the note A should be there on that key on the Piano? Why, for example, A is not where C is?
2. Why we then "separate" ranges from C to C (you can even see it in digital realm, MIDI rolls). Why not A? After all A is the first letter in many (if not all) European alphabets (even hebrew, but it has a bit different letter). Why "middle C", not "middle A"?
3. Why is it the sequence of the Latin\English alphabet assigned to those exact notes? Why not Greek, Cyrillic… Hebrew?

PASHKULI It was regarding something about F♯ chord or phrase will be difficult on my curved keys or something Del Vento wanted to show but never did.

Well a chord in isolation (or an easy passage) isn't going to be difficult to demonstrate on any keybed, regardless of how ergonomically (in)efficient it is. Fluently/naturally shifting between different tonalities/hand positions as part of a complex musical phrase seems like it would be particularly challenging on your keybed (though I could be wrong -- hence the desire for a demonstration).

A single phrase from the coda above that seems like it would be further complicated by your keybed would be something like this:

Obviously that's more than 8-12 notes, but if someone could demonstrate this (or similar) on your keybed, that might pique my curiosity. Otherwise it feels purely conceptual, and I'm having trouble imagining the practical advantages vs the traditional piano keybed.

PASHKULI Who said that the note A should be there on that key on the Piano? Why, for example, A is not where C is?

I assume it was someone who favored the Aeolian / natural minor scale.

PASHKULI Why we then "separate" ranges from C to C

I assume it's because the major scale / Ionian mode eventually became the generally preferred scale/mode in western music. To be clear, I don't personally separate ranges from C to C.

In my mind, the keyboard "butterflies" out from D and G#/Ab symmetrically and those are my "default" anchor points to intuitively grab hold of the circle of 5ths from any angle.

D is at the "top" of the circle of 5ths (go out 2 5ths in each direction from D to get C maj pentatonic, go out another 5th in each direction to get the notes for F Lydian, the "brightest" mode of major because it's just stacked 5ths straight up from the tonic). G#/Ab is at the "bottom" of the circle of 5ths. The physical topography makes more sense than the arbitrary note names.

PASHKULI Why is it the sequence of the Latin\English alphabet assigned to those exact notes?

I'd assume it's because western musicians (maybe because of the Catholic Church?) eventually standardized on Italian as the language used for notation, and Italians use the Latin alphabet. All just guesses.

@Mindbullets

That score example (I can not read it, unless in MIDI file). Ok, I might try to score-recognise it and export it as a .mid file and see the notes in Synthesia, than try to play it, but by the looks of it, it seems rather advanced (to me).

Regarding the answers on the questions:
• yes, could be, but then I can follow up your answer with: "Then, why everyone complied with that guy's pref, why has it stuck till today?"
• D is good from piane layot point (symmetry from white's persp) really glad another person has noticed it, but you can not deny C has been the main (maybe) only such 'reference' to ranges, yet A is the so called concert pitch, tuning fork (camertone) although it had a lower pitch value in earlier times?
• Yes, Church could have had major role in it, also by that time the diff. two main denominations of Christianity – Catholics (dominated by Romans\Italy\Spain) and Orthodox (Greece, Egypt, Balkan) were in sort of rivalry for influence, but the "Holy Inquisition" won (at least in terms of global expansion)… could it be out of fear, dogmatic education? Quite possibly…

PASHKULI it seems rather advanced (to me).

Indeed it is -- and the movements seem (to me) like they would be easier on a traditional keybed. I'd be curious if you could find a local pianist to attempt this on your keybed and understand how the waviness of the keys affects things like sliding up the keys, proprioception on the strides, etc. compares to a traditional keybed.

PASHKULI you can not deny C has been the main (maybe) only such 'reference' to ranges

Agreed it is where beginners often start, and that's probably why it's used. You could also ask why we don't go F to F, as that's even brighter than major.

I don't know that I've met any advanced players that think primarily in terms of C-to-C, though there could be some. That's just the hardest area of the piano to grasp physically as there are no topographical "footholds". Chopin used to teach the "black note" scales first for that reason. A more contemporary instructor who teaches symmetrical tonal mapping is Phil Best (mentioned earlier):

https://www.playpianofluently.com

PASHKULI why has it stuck till today?

The value proposition of changing the status quo either isn't there or hasn't been made convincingly enough. Probably the same reason most international communication tends to be in English, and the US still uses Imperial units.

PASHKULI I am not a keen driver. If I drive for more than 15~20 min. I get that panic feeling that the car controls my time and attention (thoughts\survival).

Would you describe yourself as somewhat obsessive and neurotic? Have you considered pursuing other interests?

How about learning to play the piano? As you stated somewhere above in this endless rabbit warren of pointlessness, "humans adapt!". So the vagaries of the piano keyboard are something you can conquer.

Just a fraction of the time and mental energy you have spent in your fruitless quest would probably have seen you develop into a very proficient musician. Think about that for a moment.

EssBrace I tend to think such a behavior is an excuse for doing the real (and mundane) task of learning something. It’s much easier to declare it bad/wrong and launch yourself into the endless spiral of pretending how the status quo is the one to blame.