I like the possibility to use the software on any of my computers without number limit. For that, the dongle is convenient. Let's see how many licenses you get without it, I am afraid I won't be able to use the dongle protected software as I do now in 5 or 6 different computers (why I have so many setups is a long story)
Jose EB5AGV iLok still allows you to use a dongle if you want.
Is this the full library?
Tyr Is this the full library?
Yes.
I change the mics around for different songs/styles. Sometimes I choose less ambiance with just a couple close mics. Sometimes I'm looking for a more full-bodied sound like in the song above. The full library offers that versatility.
God Bless,
David
Johnstaf Yes, but not forever. They have told that for some time the dongle will keep working. Nobody knows how much. But I guess it is not a cheap system to maintain so it won't last long
Jose EB5AGV Yes, but not forever. They have told that for some time the dongle will keep working. Nobody knows how much. But I guess it is not a cheap system to maintain so it won't last long
There are no plans to phase out iLok dongles as far as I know. VSL is moving to iLok, where the dongle is an option for those that want it.
eLicenser isn't run by VSL so the licenses should be good for a very long time on the current dongle. They might even outlive VSL.
Oops, sorry, I mixed eLicensers with iLok. I only have a hardware eLicenser and some software iLok licenses. I was referring to eLicensers being not maintained in the long run
Jose EB5AGV I wonder how long Steinberg will maintain the dongle as an option. Many studios won't have their computers connected permanently to the Internet, if at all.
Johnstaf Yes, it could be a problem for Steinberg. I have also a current Cubase Pro license and would hate if I can't use it at least on 4 computers (not simultaneously)
Johnstaf Wait a minute? Is steinberg also moving the elicenser dongle to constant internet connection. Nowadays you just need to connect the computer with the dongle to the internet when installing a license for the first time… And you may even do that in a different computer, and then transfer the dongle to the other computer, I believe.
vagfilm No, the dongle should be present to start and while the software is running. Its LED pulses if it is alive
vagfilm It looks as though will have a choice between the dongle or computer-hosted license. Steinberg already do this with some software. When Dorico was new you could move your license once between the dongle and your computer. I don't know if this is still the case or if you can do it several times.
Johnstaf In VSL's case you will still have your eLicenser dongle -I assume they won't let you use "soft" eLicenser. Old licences won't have to be cancelled in order to get an iLok licence so you can probably use both. That's the impression they gave when they announced the changed.
Jose EB5AGV No, the dongle should be present to start and while the software is running. Its LED pulses if it is alive
I know that… I asked because I thought that Johnstaf was saying that the elicenser dongle was also going to require constant internet connection (like the iLok license agreement with VSL will apparently require). But I think I may have misinterpreted what Johnstaf said:
Johnstaf I wonder how long Steinberg will maintain the dongle as an option. Many studios won't have their computers connected permanently to the Internet, if at all.
You were probably saying that studios prefer the dongle because it allows them to have the computer offline, but I read it as if you were saying "steinberg will discontinue the dongle because studios will not like to have their computers always online". Sorry if I misread…
Another older upload using the VSL Bösendorfer Imperial. The settings will be at the end of the song. I love this song (Precious Memories) and the warm, mellow, buttery smooth tone of the Bösendorfer Imperial.
God Bless,
David
Those deep base sounds …
QuasiUnaFantasia Those deep base sounds …
Yep. The Bösendorfer Imperial is long at 9 1/2 feet, and the 9 extra bass keys really causes the low frequencies to rumble. That's something else I love about this piano. Thanks for bringing it up.
God Bless,
David
In my opinion this makes the large Bösendorfers particular suited for music in which there are very deep notes played alone (or concurrently with only a few other notes), and fairly quietly, and held for a long time. There is a uniquely calm assuredness arising in those situations. I bet the first movement of the Moonlight sonata would sound great on the VSL BI.
It seems like YouTube added some weird delay to the first note in the video of the original post (For Such A Time As This). Does anyone else hear it? It's like a delay. I only hear it on the first note.
I wonder if I'll have to upload the video again.
God Bless,
David
I don't detect nothing strange in that first note...