jenpal
Just sharing my piano recording of Modern D. 😊
Just sharing my piano recording of Modern D. 😊
jenpal Sounds great, thanks for sharing! Is that the built-in reverb of the Modern D?
Thanks johanibraaten . 😊 yes, that’s the built-in reverb of Modern D and I turned on the 3 default mics.
It sounds exactly like it's you playing a grand piano in an otherwise empty cathedral. (And excellent playing, by the way).
I think the massive reverb works here, because the piece is fairly slow. If you were to record a faster piece, I would probably suggest dialing the reverb down somewhat to prevent unwanted dissonance.
jenpal beautifully played! And yes, very much like an empty cathedral. 🙂
in the last few days I've seen videos about the modern d that made me wanna buy it (i wasn't so sure about it at first, sometimes it sounded fairly cold and edgy)
but now that I've discovered the warmer side of this instrument, plus everything else it offers, it's a must have for me, but I'm not gonna say that it's the last thing I'll buy or anything like that, i generally prefer the sound of bosendorfers and bechsteins (and sometimes even the CFXs by yamaha) to the steinways and if a vi company release one, i can't help it😂 especially if vilabs do it (a bosey imperial (or a d282) with the sound quality of vsl imperial and the feature set of the modern d, man!!! that'll be fantastic, think about it you guys @VILabs 😜)
Thank you, QuasiUnaFantasia. Yes, I did turn up the reverb a bit high, which seems to work for this slow piece. 😊
Thanks, David Lai. 😊
I could no longer recall exactly the particular reverb I chose, but I think you are right it was the clear/empty big hall or cathedral. I also selected the S Curve 1 preset in the midi panel.
While Ivory III had their Rachmaninoff Prelude, VI Labs have their Etude Tableau.
Cheers and enjoy the big R in romantic Russian music,
David
Just saw this review video. I'll listen to this as I say goodbye to my day here. Good night!
The Modern D has been bringing me absolute joy everyday that I play it. I've had it for a month now and there is no desire to open anything else. When I do open something else just to compare, I almost immediately slip back into the comfort of the warm and resonate Modern D.
The VSL Bosendorfer Imperial occupies the position of holding singularly the longest number one spot. I played it consistently from its release date (May 2020) to the release date of the VSL F308 (Dec 2022). I then played around with the F308 and Ivory 3.
If I could only have one piano right now it would be the Modern D. Until something impressive comes out in the future, the Modern D is all I need.
God Bless,
David
David B
thank you sir David🙏 it's always a good thing to know that professionals are satisfied with a gear or software.
pianow with the sound quality of vsl imperial
oh let me correct myself: SOUND CHARACTER of the vsl bosendorfer imperial🙂
Thanks for posting!
I commented below his video as follows:
"Hello Henry,
This is one of the most authentic and charming reviews (of anything) that I've seen so far. Highly enjoyable, thank you!
Also, rest assured that your explanations along the way are spot on, no need to weave apologies in! There aren't that many reviewers that explain the details correctly, often those are hits-and-misses at best.
By the way, so far the Modern U is my one and only piano (for actual playing at home) and I'm a real fan of the thoroughness, quality and authenticity of the works by VI Labs. They really started to hit the ball with the introduction of Modern U.
Maybe they even hit out of of the park with the D, for me, I don't need it for some time to come. I share your longing for a great, well rounded Yamaha or, for me, Bösendorfer 225. Done by VI Labs of course.
Cheers and keep up the good work,
HZ"
David B Hi David! I'm glad you're still enjoying the Modern D. For me, it's all I open as well, and I have it come up as one of my saved Reaper projects. After this busy time, I plan to make more videos. And once we have an accessibility patch done, I'll also do an update here. I'm looking forward to what we have in store.
jenpal Wow, that sounds gorgeous. Exactly like a real piano in a large church or other resonant space. I doubt I could tell the difference between it and an authentic recording.
Interestingly, when playing or practicing myself I almost always prefer a very close and dry sound, but when playing back my own renderings or listening to recordings of others, I find a nice resonant ambiance to be much more pleasing.
jdg78 +1
Thank you jdg78. I’m delighted to hear that you enjoyed the big hall ambiance. 😊
When practicing on the N1X speakers, I also prefer without the room mic and reverb as the instrument itself provides a nice 3D sound with a natural room ambiance. However, when using my headphone, I always turn on the room mic and often add a reverb for a more immersive experience. 😊
Jane
As an update to my Modern D pedal travails...
@David Lai was kind enough to look at the MIDI from my little experiment where the piano sounds weren't clearing when I let the pedal up.
He noticed some weird pedal MIDI values.
So I've tried two experiments.
The Yamaha N3 has a self-test. In that mode, the una corda pedal goes rather linearly from something like 10 to 240 as it's pressed and released.
The sustain pedal, on the other hand, goes from about 14 to 255, then back to 40, then up to 240 as it's pressed. And the same as it's released. Double bounce oops!
The second test - Pianoteq's interface shows the pedals, and I can actually see the sustain pedal bounce a couple of times in Pianoteq as I'm pressing it smoothly once from fully up to fully depressed.
So I guess I can't blame VI Labs for that, in spite of the fact that other VST libraries don't seem to be bothered.
I've downloaded the service manual for the N3 and it says in BOLD type that the "rotary volume installed to the pedal lever unit needs adjustment at the factory and it should not be replaced. Do not touch the rotary volume when removing the pedal lever unit." Ouch. By "rotary volume" I assume they mean a potentiometer that tells the computer how far the pedal is pushed.
Yamaha had a tech from 100 miles away come to fix a different problem with this unit about 6 years ago. I guess the next step is to see whether I can get a replacement pre-calibrated pedal assembly from Yamaha or else see whether that tech has access to parts.
Anyone have other advice?