Very good indeed, but I am not sure whether it's a life performance of a "lip-sync" one (which would explain the lack of mics). To me the sound of the piano does not match this large room: I would expect more reverb. Are all the theatrics trying to divert us from thinking that? Finally, I noticed he used both feet on the pedals, almost at the same time? Was it Una corda and damper? With fairly large dynamics, too (f and higher). If so, why?
